16 year old Hodaka has run away from his home and caught a ferry to Tokyo. Arriving in the rain-drenched city streets he finds it difficult to get a job or a place to live. He decides to contact Kei, a man who saved his life after the ferry was caught in a storm. Kei runs a small magazine with his partner Natsumi, publishing bizarre stories on urban legends. Hodaka agrees to help out and is soon writing articles for them. After researching a piece on Sun Girls and Rain Girls (who have the ability to control the weather), Hodaka runs into a real life Sun Girl, Hina, who is able to make even the rainiest day turn to clear skies by wishing it. Realising the potential for this ability in a city where the rain never stops, the two turn her powers into a business opportunity, renting out their services for people needing a sunny day, either for a flea market or a wedding. However, Hodaka soon realises that this gift comes at a price and that her connection to the weather will lead Hina to making a terrible choice.
Makoto Shinkai’s success with his last feature “Your Name” has garnered the director a huge amount of publicity and placed on his shoulders the burden of expectation. In following up that incredible film, he has created a work that again showcases his considerable artistic and storytelling talents. The characters are all likeable, especially our protagonist Hodaka, whose family troubles are never fully explained, but whose status as a runaway throws him into the world of the story as something of a blank slate and surrogate for the audience. All of the supporting cast are enjoyable, though often written more as comic relief, such as Hina’s younger brother and Natsumi. The relationship between Hodaka and Hina works well, with both being isolated and finding purpose through each other.
The film blends magic with a real world drama and it is easy to suspend disbelief for the more fantastical elements. The film drifts close to darker themes at times too, such as Hina’s near-miss with a group of unsavoury club owners and Hodaka’s family situation. It is partly this mix of genuinely emotional and difficult themes with the fantastical elements that make the film so compelling. The art and animation team have so perfectly rendered the streets of Tokyo, with every detail covered, that any sense of artifice is stripped away and you are fully immersed in this world. The animators recreated real world locations and the attention to detail in every aspect is truly amazing. Weather effects have always played a large part in Shinkai’s work and here the team seem to have perfected the techniques of visualising every element of the climate. The use of computer-aided animation also means there is more scope for camera movement, with sweeping or spiralling shots creating a great sense of space and fluidity to the action, and perfectly complimenting the traditional hand-drawn animation.
There is definitely a move towards a more action-oriented story than Shinkai’s earlier films. This includes the introduction of guns, an explosion and high-speed chase. There is also an expressive cat to tug at the heartstrings and later played for laughs, that seems to suggest an awareness of a broader audience for his work than films such as “Voices of a Distant Star” or “5 Centimetres Per Second”. That is not to say that this doesn’t work, far from it, but what the film gains in pace and humour it perhaps loses in those contemplative moments of character development that typified earlier films. The music, again by RADWIMPS, lacks the memorable tunes of “Your Name”, but the score as a whole is beautiful and in keeping with the stunning animation work.
“Weathering With You” touches on many themes familiar to fans of Makoto Shinkai’s filmography. At the heart of the drama is the romance between Hodaka and Hina and their love blossoming slowly as the story unfolds. Weather has always featured heavily in Shinkai films, and here it is elevated to a central importance in the plot. We see how weather impacts everyone’s lives, determining what they can and cannot do and even how they think. The relationship between cloudy skies and gloomy outlooks is evident in the relief of characters when the skies clear and sunshine reappears. One of the main messages of the film seems to be that of getting through rough times rather than simply wishing them away. We are reminded in the film that Hina’s powers only offer temporary reprieve and lead to the weather returning stronger and more dangerous after such a delay. There is a suggestion here that it is better to let things run their course naturally than attempting to avoid something perceived as bad, or perhaps running away from your problems (as both Hodaka and Hina do). Surprisingly, the film seems to have little to say about the current climate crisis, although this clearly provides an inspiration and backdrop for the setting. The film is an excellent example of Makoto Shinkai’s work despite minor imperfections. The animation is spectacular, there is plenty of humour and action for the casual viewer, and lots to enjoy for long-time fans.