A young woman becomes fascinated by the idea of body modification after a chance encounter at a club. Lui (Yuriko Yoshitaka) meets Ama (Kengo Kora) at a nightclub and is immediately intrigued by his punk style, dyed hair, piercings, tattoos, but most of all his split tongue. He offers to take her to his friend Shiba (Arata Iura) who runs a tattoo and piercing parlour. Lui decides that she will get her tongue pierced, with the intention of achieving a split tongue (a painful process involving increasingly large tongue studs), and also a tattoo. On their first meeting, Shiba tells her that her innocent appearance turns him on as he is slightly sadistic. Lui says that she is masochistic and it is not long before the two are involved in a sexual affair that they keep secret from Ama. Things are further complicated when Ama beats up a gangster who harasses them in the street and Lui decides to protect him from the law.
Based on the novel by Hitomi Kanehara, with a screenplay by Takuya Miyawaki and director Yukio Ninagawa, “Snakes and Earrings” gives us a look at disaffected youth in Tokyo and the subculture of those who enjoy body modification. The plot takes a back seat to the emotional themes, that of a young woman trying to find some meaning in her life. Yuriko Yoshitaka’s Lui is a woman who seems completely numb to the world around her, distant from her parents and with few friends, lost in a sea of banal corporate culture. Kengo Kora’s Ama is easily the most sympathetic character, his rough punk appearance hiding a kind-hearted soul. Arata Iura’s mysterious Shiba appears as the agent of chaos between the two, seen largely in his denlike studio where he is the master of his domain. The small supporting cast features an appearance from Tatsuya Fujiwara as the yakuza, but the focus is on the three leads and their tortuous love triangle. The film’s guerrilla style filmmaking, shot on the streets of Shibuya help give the sense of a living world, pulling us in to the bustling city teeming with life. The majority of the story takes place in a limited number of sets, including the tattoo parlour and Ama’s apartment, which helps to keep the story focussed. There is not much of a plot, but the relationships between the three leads are intriguing and exciting enough, the sex scenes are not explicit but get across the power relationship and mix of brutality and sensualism in their lovemaking. The melancholic score of piano and strings resonates with this downbeat, nihilistic atmosphere.
“Snakes and Earrings” begins and ends with Lui in Shibuya, the camera whirling around to look at the various billboards and company logos, all the while in absolute silence. It is the perfect way to express her complete disillusionment with the world. This is a young woman who has completely checked out, nothing excites or motivates her. The sado-masochism and body piercing is the perfect metaphor for that desire to simply feel something, anything in the world, even if it is painful. The pain she experiences helps her to connect with people for the first time in a long time. We learn that she is not in contact with her family and her relationship with her friend seems superficial. Not all of the film is as easy to analyse as the central theme of finding a sense of self expression and fulfilment in a meaningless culture that strips us of our humanity. There are themes of sex and violence, as you may expect, but also ideas of death that are harder to reconcile with Lui’s story. It is a downbeat story with a compelling portrayal of someone who seems to have hit rock bottom attempting to feel something for the first time in a long time.