The Kamen (or “Masked”) Rider character is a long-standing Japanese superhero who needs little introduction to the domestic audience having appeared in popular manga and television series. Hidaki Anno’s reboot does a great job of introducing the character to those less familiar with him. An insect-human hybrid (or “Aug” as they are known in this world), our protagonist Takeshi Hongo (Sosuke Ikematsu) has had his DNA fused with that of a grasshopper, gaining that insect’s incredible agility and other abilities. Hongo is given a brief run-down of his new powers by Doctor Midorikawa (Shinya Tsukamoto) who worked on the program that created him, before Hongo sets off with the doctor’s daughter, Ruriko (Minami Hamabe) to fight the other animal human hybrids (including a bat, scorpion, and wasp) before taking on the ultimate danger: the Butterfly Aug, Ruriko’s brother Ichiro, who is determined to steal the life energy from every living thing on earth. Hongo is also joined by a second Masked Rider in the form of Hayato Ichimonji (Tasuku Emoto), who is at first reluctant to fight alongside him.

Director Hideaki Anno (best known for the “Evangelion” franchise) was brought up on shows such as Kamen (“Masked”) Rider, with their mix of bizarre Sci-Fi action and genre bending plots. His love of the series shines through here (Anno co-wrote the film with Shotaro Ishinomori who worked on the series) as “Shin Kamen Rider” doesn’t attempt to modernise or update the original, instead retaining the feel of an older, serialized drama. The costumes may have been slightly modified, but are still recognizably those of the original. Everything from the wacky plots, the fight-sequences that take place in abandoned industrial sites, to the melodramatic score by Taku Iwasaki, it all feels nostalgic for a different era of superheroes. The higher budget is evidenced in a couple of stand-out fight sequences: the anime-inspired duel with Wasp-Aug (Nanase Nishino), and the superhero-esque battle involving Tasuku Emoto’s second masked rider. The film’s action sequences are decidedly brutal, with copious amounts of blood spattered around and the choreography is fun, again reminicent of older martial arts films. Anno’s direction is a great fit for this film, with his use of creative camera angles and willingness to utilise a variety of styles, moving from simple one-on-one battles to special effects laden sequences, creating that manic tone befitting the live-action comic action. Fans of the original series will no doubt enjoy this new take on the character, familiar but with a modern polish, while those new to Kamen Rider will enjoy the retro-action.

Perhaps surprisingly for a series based on the premise that motorbikes and insects are cool, “Shin Kamen Rider” has a surprising thematic and emotional depth. The central idea running throughout is humanity’s search for happiness, something both protagonists and antagonists continually refer to. The villains wish to either control everyone, thereby destroying free will and the potential for negative emotions; or simply remove their souls, again with the same effect. The protagonists on the other hand, realise that this is not an ideal solution and instead wonder if it is possible to find happiness while maintaining a sense of individual identity. Other ideas thrown into the mix are themes of transhumanism and the potential advances in genomic science, and Artificial Intelligence; and no retro-science fiction would be complete without a sinister capitalist corporation exploiting science for military application and profit. “Shin Kamen Rider” in many ways is an antidote to the recent slew of reboots and remakes which attempt to modernise their properties or make them more in keeping with modern sensibilities. Instead the film revels in nostalgia, with its off-beat explanations of the various elements that were perhaps never intended to be explained, and brings us right back to the feeling original audiences must have felt sitting in front of the television waiting expectantly for the next instalment. A fun, nostalgic superhero film that is sure to bring new audiences to the franchise.

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