During a sweltering summer heatwave, members of a high-school science-fiction club find themselves in a pinch when they break the remote for the air-conditioning in their clubhouse. An unlikely hero arrives in the form of Tamura, a time-traveller from the future, whose time-machine may offer a solution to their problems. The group begin experimenting, zipping back and forward through time to attempt to fix the broken air-conditioning remote. However, they soon realise that their tampering with time may have unintended consequences.

“Summer Time Machine Blues” is a feel-good summer comedy that manages to spin a wild tale from a very simple premise. It takes a little time to get going with the opening sequence, showing the members of the club playing baseball and at the local baths, providing an introduction to the characters. However, once the time-machine appears the pace picks up, with trips back into the first scenes making great use of the concept and low-budget, largely showing things from different angles or how seemingly innocuous events were caused by their time-travelling. Largely set around the clubhouse, the film manages to tie things together in a satisfactory way, explaining even the most minor details as due to their actions. The older cast seem out-of-place playing the childish students and the comedy is often rather forced, but the energetic plot and the way the film weaves together the narrative with characters in different time periods makes for an enjoyable watch. There is fun to be had in noticing details from earlier reoccuring in later scenes and realising the connections between their actions and consequences.

Time-travel always provides an interesting element to a film, with its related possibilities and paradoxes. The creators of “Summer Time Machine Blues”, clearly have a love for the genre and fit in many of these familiar ideas (the film includes “Back to the Future” showing at a local cinema). By taking such a ridiculous reason for travelling back, to fix the air-con remote, the film punctures the often pretentious nature of such narratives, with ideas of fate and free will seeming somewhat grandiose when set aside such an everyday concern. The story has a lighthearted feel that doesn’t concern itself overly with thematic depth or even character development; but works well as a summer farce.

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