Chihiro Inagaki (Kento Kasahara) is a 30-year old NEET, not in education, employment or training. Despite being a top student, and graduating from a prestigious university, he quit his first job after three months after realising that the world of work was not what he had expected. Following his short-lived career he heads to Tokyo to become an actor, but alas this is also doomed to failure. Finding himself back in his hometown of Niigata, he is struggling to get a job, being rejected from every interview he applies for. Chihiro moves into a share-house with other 30-somethings lacking gainful employment, these include Yumi, a woman who still harbours dreams of working in a maid café, Shiho, a former idol, Shinnosuke and Mr. K, a wannabe wrestler never seen without his mask on. The group want to take over one of the shuttered units in the local shopping precinct, but they are unable to convince anyone to lend them money or support their efforts. Finding himself at a loss, Chihiro meets a man who tells him the best way to get the government to listen is to stand to be an assemblyman in the upcoming city elections. Chihiro sets out to do just this, listening to residents problems and working on his pitch to represent the young people of Niigata city.
“NEET Election” is a solid idea but sadly lacking in its execution. It meanders around far too often and needlessly stretches a thin plot to breaking point. The film is intended as a comedy, but a lot of the jokes fall flat. It is clear that the filmmakers wanted to go for a wacky, loveable comedy about a man struggling against the system, but the set-ups and payoffs of the jokes just aren’t really there. One example of where the film does live up to the promise of an over-the-top comedy is in an impromptu flash-mob performance in the centre of town to generate interest in Chihiro’s campaign. But this feels a little out of place in comparison with the rest of the film that revolves around him talking to citizens, delivering speeches and listening to their problems. A bigger problem than the dearth of comedic moments is the lack of any serious connection with the characters. We find out about the shopkeepers who are struggling through the recession, but the woman whose sweetshop is on the verge of closure seems unconcerned, and we don’t see people particularly concerned about it. Likewise, Chihiro’s fellow NEETs seem to almost shrug off their situation, not pleased by it, but far form angry or upset by the lack of jobs. A moment later in the film, where Chihiro is accosted by two women asking about Japan’s nuclear energy industry, again gives an example of where the film could have delved a little deeper into the difficulties of running for office, but it is almost passed over.
The film doesn’t really succeed as a comedy or political drama, with too few laughs and too little detail or emotional investment garnered for the characters. This is a shame because voter apathy is something that is a real problem and the film had the potential to create engagement with the subject of politics. Kasahara is good in the lead role, and the supporting cast do their best with the material, but it could have gone much further in detailing the genuine problems faced by people and how difficult it is to break through in the political system. Instead it comes across as a bland exploration of its subject, never fully developing the premise into something entertaining.