The staff at a high-class hotel have a problem. The Yakuza are causing trouble, being abusive to staff, refusing to pay their bills, and other antisocial behaviour. With the manager (Akira Takarada) at a loss he recruits an accountant, Suzuki (Yasuo Daichi) to lead operations to rid the hotel of these people, along with his assistant Wakasugi (Takehiro Murata). The two prove to be incompetent, lacking the strength and wit to out-fox the gangsters. They decide to bring in criminal lawyer, Mahiru Inoue (Nobuko Miyamoto), who specialises in Yakuza-civilian relations. The film is essentially a farce with some great scenes showing the various tricks of the Yakuza swindling people out of their money. Later in the film things take a dark turn when the manager of the hotel is framed for a sexual assault on a minor. Having finally gone too far, the hotel double down on their efforts to get rid of the Yakuza once and for all.
Director Juzo Itami faced a backlash from the Yakuza following the release of the film, being assaulted by gangs who disliked their portrayal in the movie. There are also those who believe Itami’s death to be suspicious and linked to these groups. The film is a fantastic crime-comedy film that has surprisingly dark undercurrents. Not only are the Yakuza shown to be ridiculous, but also violent thugs that should not be respected in Japanese society. The direction is solid and Itami clearly has a good sense of comic timing and framing set-pieces. The script also moves at a great pace and is well-structured into various acts, becoming acquainted with the problematic Yakuza and our hapless heroes, then the secondary plot involving the manager, and finally their showdown with the gangsters. The comic soundtrack by Toshiyuki Honda is very much of its time, but in keeping with the film’s light-hearted tone. The great achievement of the film is that it manages to discuss a serious societal problem with humour without shying away from the darker elements.
The Yakuza are a staple of Japanese cinema, from Kinji Fukasaku’s “Yakuza Papers” series, to Takashi Miike’s “Black Society Trilogy” and Takeshi Kitano’s “Outrage”. This film’s intention was to puncture the mystique around these groups and show them as bullies and criminals. There is nothing honourable about the characters in the film and they lack the aura of cool that has been established by many films. Instead they are loud, lazy and obnoxious, making their money by taking advantage of the good nature of those around them. A great film with some hilarious moments and a serious message underpinning the comedy.