A series of interconnected stories tied together by the sinister figure of a roller-blading, bat-wielding assailant known as “Lil’ Slugger” (Daisuke Sakaguchi). The series begins with Tsukiko Sagi (Mamiko Noto), who designs a popular character named Maromi (Haruko Momoi), a pink cartoon dog; a mascot who becomes something of a talisman for her company and their most popular character. She is soon under pressure to create another success on that level, and while walking home is attacked by an shadowy figure wearing golden rollerblades and swinging a golden bat. As she recovers in the hospital, two detectives, Keiichi Ikari (Shozo Iizuka) and Mitsuhiro Maniwa (Toshihiko Seki) are put on the case, tracking down the young boy believed to be responsible for the assault. Throughout the series we are introduced to various characters, each of which suffer some kind of trauma, paranoia, fear, or stress, and all of whom are targeted by the mysterious figure of Lil’ Slugger.
Directed and co-written by Satoshi Kon (Perfect Blue, Tokyo Godfathers), the film has a dark tone throughout, dealing with themes of violence, suicide, abuse, and having realistic and unsympathetic characters. Black humour is often used to alleviate some of the tension, but the overwhelming sensation while watching will be one of confusion. The stories often seem to break down into dream-sequences or other surreal moments, feature characters whose fragile psyches seem to be collapsing as the plot progresses. It becomes clear early on that this is not a straightforward mystery, and that there may be a supernatural or psychological element to the story. I was concerned that the ending would be a let-down, considering the fantastic premise and set-up, but I was not disappointed. There is a sense of fulfilment at the end of the story, a sort of catharsis for the characters, and the whole thing ties together thematically, if not strictly logically. The script is excellent, building up a sense of real characters, living in surreal circumstances, with great voice acting by the whole cast. Some episodes in particular are inspired, such as the episode centred on an animation studio and the various jobs that entails. Emphasising the dualistic nature of the series, the score by Susumu Hirasawa is likewise ominous and cheery by turns. It is best to go into this show not knowing too much about it, as there are some great twists and turns.
The series deals with some very serious themes, depression, anxiety, suicide, mental disorders, as well as painting a picture of a dysfunctional society. The character of Lil’ Slugger is left somewhat open to interpretation, as a psychological phenomenon conjured from the fevered imaginings of the protagonists, or as an elemental force that descends on people who are feeling life is too much for them. I would highly recommend this series to anyone who enjoys psychological horror, mystery, and something that will have you scratching your head throughout attempting to figure out the significance of it all.