Sion Sono is a prolific director, having made over 40 films in his career. He came to prominence through gory horror films such as “Suicide Club”, but he has created works in several genres, comedies like “Love & Peace”, a hip-hop musical “Tokyo Tribe”, and more dramatic works such as “Himizu” and “Cold Fish” (inspired partly by real world events). The film discusses the fact that he is hard to categorise, in some ways having created a category all of his own, the “Sion Sono” film. He is an auteur, both writing and directing many of his projects. However, Sono admits that he has enjoyed more fame and success abroad than in Japan, suggesting that the Japanese film industry tends to shy away from films that show the country in a bad light. His focus on sex, violence, pornography, crime, and other taboo subjects have helped to turn him into a cult star rather than a mainstream success. But it clear from this documentary that success is not something that Sono feels is the most important thing in life. We see early on his disordered studio, with large canvases strewn around and wild impressionistic scribblings across them and slap-dash calligraphy pinned to the wall. We witness an amusing scene as Sono attempts to explain something of his process, and his philosophy, to the cameraman, as he daubs paint on a canvas, in a haphazard way, creating some sort of story in his own mind as he goes, and discussing the purity of the canvas being despoiled by his paint. Rather than strive for perfection he belives true beauty lies in these imperfections, lives that are full of mistakes and rectifications. Later on he suggests that he values quantity over quality, inverting the familiar in his own controversial style he seems to be determinedly set against mainstream expectations. Sono’s primary drive is to create. As he say himself, it doesn’t matter if it’s good or bad, humans are here to create, to express themselves, and to live. It is a chaotic philosophy but it appears to have paid off for the director. Despite many in the film suggesting he should have become famous sooner than he did, his recent celebrity due to several fantastic films in a short span of years has ensured his place in the pantheon of top directors.
The film follows Sono through a year of his life as he works on “The Whispering Star” (2015) and talks about many of his other works. There are interviews with Shota Sometani and Fumi Nikaido (co-stars in Himizu), his wife and actress in the Whispering Star, Megumi Kagurazaka, producers, friends, and even his sister. Together they paint a picture of a man who is slightly eccentric, incredibly driven, passionate about his work, kind, and with a love of film stretching back to his childhood. During the segment with his sister he digs through old notebooks, showing his early film criticism, including a “Sion Sono” awards with Best Picture, Actress and Actor awards. There is also fascinating insight into how he creates his work, looking round sets, frantically scribbling down storyboards, dictating a precis of a new film to his assistant. In some of the most powerful scenes of the film we see Sono and his team in Fukushima, the area devastated by a nuclear plant explosion and which featured as a backdrop in both Himizu and The Whispering Star. As he speaks to locals, some of whom he recruits to act in his movie, we hear of their loss following the tsunami that destroyed their homes and businesses. Although the film doesn’t go into this in great detail it is clear that Sono feels this is an important issue to highlight. In fact this segment stands as a great documentary in itself on the aftermath of the earthquake and tsunami.
A great behind-the-scenes look at how this director works, his formative experiences, philosophy and creativity. Sono says that the only thing that concerns him is making interesting films, whether they succeed or fail financially. This documentary is certainly interesting, offering a great insight into a director with a unique vision.