Uninmpressed with her school film club’s current project, a saccharine romance, ‘Barefoot’ (Marika Ito) along with her friends ‘Kickboard’ (Yumi Kawai) and ‘Blue Hawaii’ (Kurara Inori) sets out to make her own passion project, a samurai film inspired by classic black and white movies. She manages to recruit a motley crew for sound and lighting, and finds the perfect lead in the shape of the mysterious Rintaro (Daichi Kaneko), who suddenly appears in her life. As they are making their film, competing with rival Karin’s (Mahiru Koda) romantic drama, they discover that there may be more at stake than the film premiere at the upcoming school festival.
Directed by Soshi Matsumoto, with a screenplay by Matsumoto and Naoyuki Miura, “It’s a Summer Film!” is a charming love-letter to classic historical cinema with a meta twist. ‘Barefoot’ is an engaging protagonist, and Marika Ito’s energetic and expressive performance is enjoyable. She plays a typical outsider hero, with her interest in historical epics, short-cropped hair, and passion for cinema marking her out as a geek, in contrast with Mahiro Koda’s mainstream heroine Karin. There is great chemistry with the trio of ‘Barefoot’ and her friends, ‘Kickboard’, a member of the astronomy club, and kendo-club member ‘Blue Hawaii’. All three of them represent slightly unusual hobbies that bind them together. The story’s meta-element is not explicit, but the film itself follows many tropes of the teen romantic comedy: a rivalry with a more popular student; the outsider heroes; the third act declaration of love. There is certainly an irony that ‘Barefoot’ is attempting to make a samurai epic, but finds herself entangled in a romantic comedy in her relationship with Rintaro. Early in the film ‘Kickboard’ mentions making a science-fiction film and this element also finds it’s way into “It’s a Summer Film!” with the inclusion of a time-travel sub-plot, that functions to distinguish the film from other ‘film-making’ comedies. Most of the humour comes from the difficulty of making a film and the uncharacterstic, but inspiring, interest in high-quality samurai dramas over cheap romances of the lead characters.
“It’s a Summer Film!” is a lot of fun for people who love cinema. It’s subtle self-referential style, including a joke about one of the “students” looking like a 30-year old man, who they nickname ‘Daddy-Boy’, is entertaining without having to force the humour. The time-travel element is likely to split audiences, but works in the context of the meta-narrative, of a self-aware ‘summer film’ that falls into many of the same narrative cliches that they are simultaneously critiquing. ‘Barefoot’ discovers in the future that films are only 5-seconds long, and that there are no longer cinemas. This is probably the film’s most unsubtle criticism of modern trends in film-making, audiences’ dwindling attention spans and the preponderence of people consuming media on mobile phones in short bursts. Although “It’s a Summer Film!” hits all the notes of a typical high-school romantic-comedy, its charm and self-awareness make it supremely watchable. The likeable cast and light-touch comedy are comfortable and remind people of the enjoyment of watching films and the power of cinema to take you on a journey.